#Interview: Mud Bog #Murder by Lesley A. Diehl

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When Jenny McCleary leases her property to be ravaged by the annual mud bog races, the small rural town of Sabal Bay, Florida, is divided into warring camps: environmental activists versus monster truck fans. Jenny, who frequents the consignment store owned by Eve Appel and her friend Madeleine, doesn’t seem to mind when Eve and Madeleine join the protesters the day of the races.




During the race, Eve catches Jenny’s airborne head after it is tossed into the air by the wheels of a truck. Now every protester is a suspect in Jenny’s murder. What’s left of her alligator-gnawed body is found near the airboat business of Eve’s Miccosukee Indian friends, Sammy Egret and his grandfather. When more evidence turns up nearby, Grandfather is arrested.
Even without the disembodied head, Eve has her hands full. The town resents her role in the protests and is boycotting the consignment shop on wheels. She is torn between two men–GQ-handsome, devoted PI Alex and tall, dark, and exotic Sammy. Jenny’s sweet and needy teenage daughter is dating a petty criminal. Will Eve and Madeleine ever be able to move into their new digs? Not unless the town forgives them. And not if whoever decapitated Jenny gets to Eve before she and her sleuthing buddies solve the mystery.


Q: Aloha Lesley, and welcome back to Island Confidential. Can you tell us a little bit about Eve Appel?
A: The protagonist of the Eve Appel mystery series and the newest book in it, Mud Bog Murder, is Eve Appel, a woman who has spent her life in the Northeast and has now moved to rural Florida to open a consignment shop there with her best friend, Madeleine Boudreaux Wilson. These two friends couldn’t be any different in appearance. Eve is tall, willow thin with spiky blonde hair (with dark roots, her fashion statement) while Madeleine is short, round and has red curly hair. They are different in personality also. Eve is an in-your-face gal and Madeleine, although a bit physically clumsy, is polite and always knows the right thing to say. Eve may know what is socially appropriate, but she seldom feels compelled to say or do it.  The two have been friends since childhood, sharing a commitment to righting wrongs and a loyalty to friends and family. Eve loves designer fashions as long as she doesn’t have to pay full price, so she’s addicted to consignment shopping, and she’s determined to bring the opportunity to dress for less to rural Florida. And, oh yes. Eve is as snoopy as can be especially when it comes to murder.
Q: How much of you is in Eve?  How would you feel about her if you met her in real life?
A: There is little of me in Eve except that we both probably share the need to find answers to questions. My questions involve more mundane issues such as where did I leave my glasses while her questions are both mundane (what should I wear today?) and significant to her life and her community (who killed my friend?).  In Mud Bog Murder, that means Eve not only catches the severed head of the victim, but she searches for the killer. There’s no question that if I had caught that head, I would have dropped it and run like crazy. I admire her and Madeleine for different reasons. I can certainly relate to Eve’s search for secondhand merchandise. I’m addicted to yard sales, consignment shops and bargains in general. There is nothing that Eve won’t take on when it comes to social injustice—insults to the environment, family upheavals, as well as theft and murder. Who wouldn’t want a friend with the attitude of can do, or as they say, in the South a get ‘er done approach to problems? Madeleine’s warm, friendly, ladylike exterior hides a streak of real spunkiness. Madeleine is the lady my mom raised me to be. I guess it didn’t take. But, for Madeleine, lady combined with spunk really works.
Q: Do your characters change and evolve throughout consecutive books in the series? I imagine catching a severed head (!) would be a transformational experience, no?
A:  Yes, they do. I think it’s necessary for characters to face challenges and change to handle these in each book, but I think a writer must take series characters through life journeys especially if the writer decides to age the characters which is what I do. Throwing murder at a character necessitates adjustment and self-exploration especially if solving the crime means the character confronts situations she fears and people she doesn’t like. In a mystery series, writers do this again and again, so the reader has a right to see a character altered by so many encounters with death. Subplots that involve the character’s personal life and development entail the same consideration: what does love, family, friendship and the absence, presence or alteration in all these mean for the character. How is she different at the end of the series from what she was in the beginning? Eve has certainly confronted some interesting issues, and she has been changed by them. Love is one of these, and what happens to Eve’s love life in Mud Bog Murder may surprise the reader. It certainly surprised Eve.
Q: So just between you, me, and the millions of people with internet access: Have you ever thought of killing someone that you know in real life–on the pages of a murder mystery, I mean? 
A:  Sure, and I did it in an early manuscript in which I also made the murderer someone I knew and disliked. It was quite cathartic, and some really bad writing on my part. I radically altered that story and it later was a book in which the story is nothing like the original version. However, I have to thank the people I disliked for helping presenting me with characters I could enhance and recreate. It sure was fun!
Q: How realistic is your setting? Do you take liberties, or are you true to life?
A:  The setting for Mud Bog Murder is rural Florida a place few tourists are familiar with or visit and where few Floridians live. The county I live in has more cattle than people and probably more alligators too. This is really “old Florida”, the Florida before interstates, sugar fields and runaway development. I try to stay true to the setting and what it means to its people although I do alter names of towns and streets sometimes. I want the story to not only be about murder, but I want the impact of that to be imbedded in the setting such that to move the story away from that setting would change the tone and the significance of it. Because I’m not a Florida native, neither is my protagonist. She’s an outsider, someone who can see what is happening with new eyes, but who becomes more and more a part of the community in each book.
Q: When the movie or TV series is made, who plays the major parts?
A:  I’m not much of a moviegoer. My husband and I prefer watching British comedies and mysteries on Netflix. I’m not good at knowing actors, but there is the short, shapely blonde on Big Bang Theory who, with a red wig could play Madeleine. She seems to have the bubbly persona of Madeleine.  As for Eve, she is physically like Angeline Jolie but with short, blond hair. Since the mystery is humorous, it’s always difficult to find comic actors who can carry the parts.
Q: What’s the worst and best advice you’ve heard or received as an author?
A:  In the writing world, we’re always told to write what we know, but sometimes it’s important to understand what it is we know, and it’s not always what we have spent our lives doing. My first manuscript featured a college psychology professor. That’s what I did, so I figured I was on safe ground writing about it. I was so close to the college world that my manuscript lacked sizzle. It was boring. Once I used what I knew to create, not copy the world in the story, the manuscript improved. Writing is all about imagination and the creation and crafting of the work. Sometimes we leave that out when we tell beginning writers to write what they know. Most important is to learn your craft. You can only break the rules when you understand what they mean to your story. As for what you know, you can always learn what you don’t know. Research is important—interviews, experience, involvement in new endeavors as well as research on line and in libraries. It can open a world of writing opportunities.


About the Author


Lesley retired from her life as a professor of psychology and reclaimed her country roots by moving to a small cottage in the Butternut River Valley in upstate New York. In the winter she migrates to old Florida—cowboys, scrub palmetto, and open fields of grazing cattle, a place where spurs still jingle in the post office, and gators make golf a contact sport. Back north, the shy ghost inhabiting the cottage serves as her literary muse. When not writing, she gardens, cooks and renovates the 1874 cottage with the help of her husband, two cats and, of course, Fred the ghost, who gives artistic direction to their work.
She is the author of a number of mystery series (Microbrewing Series, Big Lake Mystery Series, Eve Appel Mystery Series and the Laura Murphy Mysteries), a standalone mystery (Angel Sleuth) and numerous short stories.
Visit her on her website: www.lesleyadiehl.com
Webpage: www.lesleyadiehl.com
Blog: www.lesleyadiehl.com/blog
Twitter: @lesleydiehl
Facebook: [email protected]
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Entitled at the Top: Are Leaders More Selfish Than the Rest of Us?

PAFF_072616_SelfishLeaders_newsfeatureLeaders’ propensity for generosity seems to depend on whether they feel like they’ve earned their high-status position, according to new research conducted by psychological scientists Nicholas Hays (Michigan State University) and Steven Blader (New York University).
The findings indicate that a boss or colleague who feels that their high-status position is unearned is likely to be much more generous compared to someone who feels like they’re entitled to a spot at the top.
“For instance, high-status CEOs—who have a greater sense of hubris and thus are likely to have an exaggerated sense of their value to their organizations— extract more compensation and yet devote less time and effort to advancing organizational goals compared to lower-status CEO,” write Hays and Blader. “Because generosity is often strategically demonstrated to attain status, generosity may decrease once status-attainment goals are achieved.”
Previous research published in Psychological Science has shown that attaining a position of power really can change people for the worse: Across five experiments, Joris Lammers (Tilburg University) and colleagues found that “irrespective of how power was manipulated or hypocrisy was measured, we found strong evidence that the powerful are more likely to engage in moral hypocrisy than are people who lack power.”
However, power only seemed to compromise people’s moral judgement under circumstances in which people felt like they had earned their position: “Our final study demonstrated the crucial role of entitlement: Only when power is experienced as legitimate is moral hypocrisy a likely result. If power is not experienced as legitimate, then the moral-hypocrisy effect disappears.”
For their first experiment, Hays and Blader surveyed a group of 255 MBA students. The students were working together in 51 teams over the course of a six-month field project with real clients. The students completed two surveys asking them to assess how helpful they were (i.e., “I will be willing to help when needed”) and how important they were to their group’s success. The first survey was completed at the very beginning of the field project; in a second survey, completed three months into the project, participants also rated each member of their group on a 7-point scale for how much respect, esteem, and prominence they had within their team.
“As predicted, there is a significant positive relationship between status and generosity at low legitimacy and a significant negative relationship at high legitimacy,” the researchers report.
A second experiment looked at whether status influenced people’s actual behavior. A group of 339 college students were assigned roles in a business scenario, ostensibly based on their scores from a business aptitude assessment. In reality, the participants were randomly assigned to either high- or low-status roles and either legitimacy or illegitimacy conditions.
Those in the legitimate conditions were assigned to a status role that matched their “score” on the assessment, while those in the illegitimate condition were told they’d received a lower score than their team members but would be given a higher-ranking role.
After learning their scores and role assignments, participants played a game in which group members could allocate 100 points among themselves and their two teammates. These points could be exchanged for lottery tickets at the end of the study, and generosity was gauged based on how many points participants allocated to their teammates.
As expected, those who felt they were entitled to a high-status position were significantly less generous towards their teammates than participants who thought their high ranking was not earned. Across all six experiments, those who felt entitled to their high-status position showed significantly less generosity than people who felt they’d ended up at the top through a fluke.
“Complementing previous work indicating that generosity leads to status increases, we find that once an individual has obtained high status, the legitimacy of that status determines whether he or she tends to behave more or less generously than low-status group members,” Hays and Blader conclude.
 

References

Hays, N. A., & Blader, S. L. (2016). To Give or Not to Give? Interactive Effects of Status and Legitimacy on Generosity. Journal of Personality and Social Psychology. doi: 10.1037/pspi0000067
Lammers, J., Stapel, D. A., & Galinsky, A. D. (2010). Power increases hypocrisy moralizing in reasoning, immorality in behavior. Psychological Science21(5), 737-744. doi: 10.1177/0956797610368810
from Minds for Business – Association for Psychological Science http://bit.ly/2aapvcT


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Interview: Fall Into Crime

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Summaries of Short Stories in Happy Homicides 4: Fall IntoCrime happy-homicides-fall

  • Joanna Campbell Slan / Vendetta: A Cara Mia Delgatto Mystery – The House of Refuge on Gilbert’s Bar is known for its 150-year history as a way station for shipwrecked sailors. But when Cara Mia visits, the museum becomes the scene of acrime.
  • Linda Gordon Hengerer / Dying for School Tea: A Beach Tea Shop Novella – Chelsea Powell and her sisters are providing treats for Citrus Beach High School’s freshman orientation. Can they solve the murder of the beloved softball coach before someone else dies?
  • Carole W. Price / The Glass Birdhouse – Will Bella find clues to Fawn Daniel’s death in her unfinished glass birdhouse?
  • Lesley Diehl / Bobbing for Murder – A visit from Darcie’s family is always chaotic, and this time the relatives bamboozle Darcie into having a Halloween party. Will that decision come back to haunt her?
  • Nancy Jill Thames / Raven House – When reporter Karla Wilson is murdered after the Raven House Ball, will Jillian Bradley and her Yorkie Teddy uncover the killer and unleash Karla’s secrets?
  • Teresa Trent / Falling for Murder – Helpful hints columnist Betsy Livingston is an expert at household organization but her skills are put to the test when she’s called upon to conduct an efficiency review for a haunted house.
  • Maggie Toussaint / Dead Men Tell Tales – In this third installment of the Lindsey & Ike romantic mystery novella series, things don’t add up after a suspicious hunting accident. The more Sheriff Ike Harper and newspaper editor Lindsey McKay dig, the more questions they find. Will a dead man tell tales?
  • Anna Celeste Burke / All Hallow’s Eve Heist – When a shooter decides to pick off patrons at Marvelous Marley World, publicist Georgie Shaw gets stuck mopping up the mess. Can she also track down the culprit?
  • Randy Rawls / Accident, Suicide, or Murder – Retired policeman Jonathan Boykin’s primary interest is improving his golf game. Aaron Dunniker, his golfing partner, refers him to Homer Whittaker to investigate the death of Whittaker’s son. Young Whittaker died after a fall from an eleventh floor balcony during a Halloween party. The police investigated, but could not determine the cause: Accident, Suicide, or Murder. Are Jonathan’s detecting skills par for the course or will he miss the cut?
  • Nancy J. Cohen / Haunted Hair Nights – As the new stepmother to a teenage Brianna, hairstylist Marla hopes to win brownie points by helping out her daughter with a haunted house project. Marla has her work cut out for her when she stumbles over a corpse.
  • Terry Ambrose / Spirit in the Rock – Wilson McKenna dreams that Kimu, his ghost-advisor, is trapped in a museum display case. Kimu was McKenna’s best friend’s great-grandfather, dead now for over a decade. The only way McKenna can save him is to find a killer and solve the mystery of who stole the Spirit in the Rock.
  • Deborah Sharp / Haunting in Himmarshee – When a ghost comes to call, Mace must sort out the haunted from the homicidal in Himmarshee, Florida.

 


Q: Aloha Joanna, and welcome back to Island Confidential. Congratulations on the new collection! Can you tell us a little about the protagonist of Vendetta?

A:  Cara Mia Delgatto has been a “good girl” most of her life, except for when it comes to love—and for those, she’s paid a high price. When her parents die within six months of each other and her son goes away to college, Cara decides it’s time to get a life…a real life of her own. A road trip gone wrong leads her to impulsively snatch up an abandoned building in Central Florida. Except it isn’t exactly abandoned. It comes with a fresh corpse. Despite that bump in the carpet, or perhaps because of it, Cara manages to open a business, The Treasure Chest, a store that features upcycled, recycled, and repurposed home décor items with a coastal vibe. And of course, you can’t run a retail business alone, so Cara gathers around her a cast of interesting women who become her best friends.

Q: How much of you is in Cara?  How would you feel about her if you met her in real life?

A: I would adore Cara. She and I have a lot in common. We both love to turn trash into treasure, and we both love the Florida coast. Like Cara, I get by with a lot of help from my girlfriends. They comfort, nurture, and occasionally slap me up the side of the head.

Q: Do your characters change and evolve throughout consecutive books in the series?

A: Yes. In the first book Tear Down and Die, which is free at a variety of sources, see http://bit.ly/teardownanddie), Cara is struggling to find herself. Although she’s always been crafty, she doesn’t recognize her talents. She’s far too sure of her business mind, and not nearly trusting enough of her creative self. Also, she has come to believe she’ll never find the right man.

Q: Have you ever thought of killing someone that you know in real life–on the pages of a murder mystery, I mean?

A:  I do that all the time. Really, that’s half the fun, isn’t it? I often say, “People who kill people—on paper—are the happiest people in the world.”

Q: How realistic is your setting? Do you take liberties, or are you true to life?

A: Unfortunately, too realistic. I chose to use my home area, The Treasure Coast. That occasionally means I need to do heavy research or modulate what I write. The pay-off is that readers tell me they’ve traveled to the area and checked out the restaurants and spots in my books. That’s very gratifying, because it allows me to share what I love. I happen to live on a very exclusive island, home to Tiger Woods, Celine Dion, and many billionaires. My Florida readers get a peek at this unusual spot.

Q: What’s the worst and best advice you’ve heard or received as an author?

A:  The worst was a book doctor who told me ordinary people are boring. They aren’t. The best was when Wendy Corsi Staub told me that the best marketing tool was another book. What she didn’t say, but I now know, is that the more you write the better you get.


About Joanna
National bestselling and award-winning author Joanna Campbell Slan welcomes your emails! You can contact her at [email protected] with your comments and questions.
Joanna
National bestselling and award-winning author Joanna Campbell Slan has written 30 books, including both fiction and non-fiction works. Her first non-fiction book, Using Stories and Humor: Grab Your Audience, was endorsed by Toastmasters International and lauded by Benjamin Netanyahu’s speechwriter. She’s the author of three mystery series. Her first novel—Paper, Scissors, Death (Kiki Lowenstein Mystery #1) –was shortlisted for the Agatha Award. Recently she released Glue, Baby, Gone (Kiki Lowenstein Mystery #12).  Her first historical mystery—Death of a Schoolgirl: The Jane Eyre Chronicles—won the Daphne du Maurier Award of Excellence. Her contemporary series set in Florida continues this year with All Washed Up (Cara Mia Delgatto Mystery #3). In addition to writing fiction, she edits the Happy Homicides Anthologies and has begun the Dollhouse Décor & More series of “how to” books for dollhouse miniaturists.  Recently, one of her short stories was accepted for inclusion in the prestigious Chesapeake Crimes: Fur, Feathers, and Felonies anthology. When she isn’t banging away at the keyboard, Joanna keeps busy walking her Havanese puppy Jax and watching her family’s League of Legends Team Apex on Twitch. Her husband, David, owns Steinway Piano Gallery-DC, so he provides the class in the family while she figures out how to turn trash into treasure.
In her ongoing quest never to see snow again, Joanna lives with her husband and their Havanese puppy, Jax, on an island off the coast of Florida.


 

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Character Guest Post, book and #GiftCard #Giveaway: Gnarly New Year

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The honeymoon’s not over yet!

Kim and Brien’s excellent adventure at the swanky Sanctuary Resort & Spa continues when an unwelcome visitor drops in on New Year’s Eve.
 



An elusive marine GPS device found and lost again, unleashes another wave of murder and mayhem in Corsario Cove! What is it about that thing? Will the secret be revealed when they visit the chamber of heinousness? Stooges, Krugerrands, and monks—oh my! Is it going to be a Gnarly New Year for Kim and Brien?
Character Guest Post: Truth or Chore? 
Brien and Kim are back from their honeymoon. They’re not in Corsario Cove but out in the California desert where they met. It’s a balmy evening in January on the patio of the condo they rent. The moon is shining, the palm trees are swaying, and they’re lingering over a cold beer and a platter of nachos.
~~~~~
Brien: “These are awesome nachos, even without the beef.”
Kim: “Gracias, Dude. I’ve been getting tips from St. Bernadette so I can better perform my wifely cooking chores.”
Brien: “Too bad you don’t cook every night. You’re way better at it than I am, even without Bernadette’s tips. Maybe I should ask her for help, too.”
Kim: “Sure, you could do that. Nachos aren’t that hard to fix. Heck, it’s hardly even cooking. Especially if you leave out the barbacoa or carne asada you carnivores love so much.”
Brien: “Like the ones we had that night we met. Those were epic nachos.”
Kim: “That’s what you remember about the night we met—the nachos?”
Brien: “Not just the nachos. It’s my turn to ask you questions, though. Truth or chore: what do you remember?”
Kim: “It was an evening a lot like this one—gorgeous lounging on the Huntington’s patio overlooking the swimming pool and golf course. I remember being nearly knocked out by that house Jessica’s dad had designed and built. It’s a work of art. When I worked for Mr. P, he had an enormous house up in the Hollywood Hills. That one was dark and sinister—like a holdover from a gothic horror movie set. He was so impressed that it had once been owned by a dead monster movie mogul. Complete with secret rooms and passage ways. Creepy. How did I get on this topic?”
Brien: “Uh, you were talking about meeting me for the first time. My memories of nachos are way better than your memories of creeps!”
Kim: “Jessica’s house triggered those memories, not you. Give me a break. It’s still a little hard for me to open up about mushy stuff like feelings, Brien. You must know that about me.”
Brien: “I do.”
Kim: “So, truth—no chore. I wasn’t just knocked about by that house. You wowed me, too, Moondoggie.”
Brien: “I thought you were a knockout, too. I tried not to stare at you in front of the Cat Pack but whoa, that tattoo of yours was so hot!”
Kim: “My tattoo? That’s what grabbed you about me—my Saraswati tattoo?”
Brien: “I didn’t know she was Saraswati, or that she was a goddess. She was beautiful, like you. Your face and that smokin’ hot body of yours. What did you like about me? Truth or chore.”
Kim: “Okay, truth. You do have a bodacious body, as you surfer dudes like to say. I was totally in awe. I’m not even sure I could hear what you were saying, Brien. You didn’t say much did you?”
Brien: “Nah, I was tongue-twisted.”
Kim: “Tongue-tied is what you mean, right?”
Brien: “Probably. You were quiet that night, too.”
Kim: “I still am, but not like then. I didn’t like being around a lot of people. All those awful parties I had to go to working for Mr. P.  At least I didn’t run off to a corner and hide that night at Jessica’s house.”
Bien: “I wouldn’t have let you go off by yourself, Kim. Truth or chore: was it love at first sight?”
Kim: “Truth. I don’t believe in love at first sight. Let’s just say I felt a strong attraction to you.”
Brien: “That’s fair. I’d have to say it was hard to figure out if it was love or not with all that animal magnetism between us.”
Kim: “Yes, that’s a perfect way of putting it. You also made me nervous—maybe because I was fighting off that attraction. Besides, I didn’t want to get involved with anyone.”
Brien: “Yeah, I could tell that, Kim. That’s why I didn’t push it. From what you and Jessica went through with Mr. P and the Doc, it couldn’t have been good hanging with those bogus guys—and you did that for years. I felt bad for you. Sometimes, though, I thought it was me you didn’t like.”
Kim: “You irritated me. I didn’t understand that when you’re nervous instead of hiding in a corner or clamming up like me, you talk. The more anxious you get the more you say, and that’s when you make mistakes. Truth: that drove me up the wall at first.”
Brien: “Malapropisms—you told me all about that. What changed?”
Kim: “Later one night when you drove me home. We were alone and you were quiet, except for a question or two. Something simple, like how are you doing? The way you said it—the way you often say things—was so sincere. I remember feeling safe answering you honestly. That surprised me.”
Brien: “That night changed things for me, too, Kim. We were friends after that.”
Kim: “Yes, friends. And I wanted to see you again. Just you, without that crowd around. That’s why I said yes right away when you asked me to go with you to the 60’s beach movie film festival.”
Brien: “Truth or chore: when did you realize it was love?”
Kim: “Soon. You became my dream date—my very own Moondoggie. Was that ever a shock. It took me a while longer to deal with it. Then one night you called me Gidget. That’s when I knew you were on to me.”
Brien: “I was—at least I hoped I was since I was in deep by then.”
Kim: “Me too, even though I still couldn’t say I love you.”
Brien: “You had to hear it from me first. Not quite love at first sight, huh?”
Kim: “Close enough, Moondoggie.”
Brien: “One more question. Truth or chore: Do you want me to take that job and move with me to Corsario Cove or not?”
Kim: “Um, it’s going to have to be a chore.”
Brien: “You won’t tell me the truth?”
Kim: “I can’t, because I haven’t figured what that the truth is yet. Maybe we should take that second honeymoon, then make a decision.”
~~~~~
Will Kim & Brien leave Palm Springs, their friends and their jobs behind? Stay tuned for their next adventure to find out.  
 


About The Author

Anna Celeste Burke is an award-winning and bestselling author who enjoys snooping into life’s mysteries with fun, fiction, & food—California style! Her books include the Jessica Huntington Desert Cities Mystery series set in the Coachella Valley near Palm Springs, the Corsario Cove Cozy Mystery series set on California’s Central Coast, and The Georgie Shaw Cozy Mystery series set in Orange County, California–the OC. Coming soon: The Misadventures of Betsy Stark that take place in the Coachella Valley. Find out more at http://www.desertcitiesmystery.com.
 

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Where Everyone has a Green Thumb – Guest Post + #Giveaway at Brooke Blogs

Where everyone has a green thumb
I really did have a lot to learn about gardening. I was not one of those persons gifted with a green thumb. In fact, I seemed to have the opposite of a green thumb, whatever that would be. A red thumb? That didn’t sound right, although green and red opposed each other on the color wheel. A brown thumb? A black thumb? Was that racist? Maybe a skeleton thumb, like the Grim Reaper.—The Black Thumb, a Professor Molly MysteryI have the proverbial black thumb. I am the worst gardener in the world.I incapable of coaxing a living thing out of the ground; worse I’ve had actual cactus perish in my care.I am death, destroyer of flora.Or so I thought, before I moved from Southern California to the rainy side of one of the Hawaiian Islands.
Read more: The Black Thumb by Frankie Bow – Guest Post + Giveaway @Frankie_Bow » Brooke Blogs


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Character Interview and #giveaway: Nine LiFelines, a Psycho Cat and the Landlady Mystery

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The elevator won’t go to the tenth floor, someone is breaking into condos, and the well-heeled Ukrainian renter isn’t paying the rent.


Beth and Arnie have retired to the building where Beth’s last rental unit is located, and Beth, the klutzy landlady, has declared herself through solving mysteries. Then, her renter is arrested for the murder of the neighbor who fell (was pushed?) from the tenth-story balcony and the dead neighbor’s grandchildren are left with only their wheelchair-ridden grandmother to care for them. Beth feels compelled to help out. Are Sylvester’s psycho-cat behaviors providing clues? Is the renter actually the killer? Do the break-ins and elevator problem have anything to do with the murder? Even Arnie, who has always told Beth to keep her nose out of police business, gets involved—for the sake of the children.


Today we have Beth’s sister, Meg Knells, visiting our blog. 
Q: Meg, welcome to Island Confidential! Can you tell our readers a little bit about yourself–maybe something readers might not guess?
A: You may think I’m a staid middle school teacher, but I my younger years, I was a party girl. Beth’s and my mother died when we were teenagers, and I tried to help guide my little sister. Later, I dropped out of college for a couple of years to bartend and travel. In Europe, I hitchhiked across the continent until I met my future husband, Paul, in Italy. We came home and settled down.
Q: Who’s the character you get along with the best? Why?
A: I get along with my sister, Beth, now. We’re best friends. She has an adventurous spirit. A few years ago, she flew to the Virgin Islands to find my missing stepdaughter who was accused of embezzlement. (Catastrophic Connections) Since then, I’ve helped her solve other problems.
Q:  Which other character do you have a conflict with? Why?
A: I’m not a fan of Detective Renquire. He never seems to do enough to find the real killers. Well…I mean…I guess he comes through in the end.
Q:  Just between you and me: What do you really think of your author?
A: To tell the truth, I am the result of a bit of a learning curve in Joyce Ann Brown’s mystery writing exploits. Sure, I was there as the sidekick to her sleuth, Beth Stockwell, from the beginning. But, in Nine Lifelines, her latest book in the Psycho Cat and the Landlady Mystery series, the development of the characters and the twists and turns in the plot make this her best book yet.
Q: What’s next for you?
A: Oh, I’m done helping Beth solve her mysteries. I’ve retired from school teaching and want to relax. I’m taking a quilting class and am thinking about writing a family history. Sigh…I suppose if Beth asked me, I’d be there for her. After all, she is my little sister. Her causes are compelling. I do come up with clever ideas to help gather information. Sigh…Smile.


CHAPTER 1
THE ELEVATOR
“Don’t tell me. Let me guess. We stopped on the wrong floor—again.”
Beth’s lanky husband, Arnie, his bottom half inside and his top half outside the elevator, held the Open button with one finger while he twisted his head around his grocery sack to see the number above the door in the hallway. He had pressed 10 in the lobby, and the display read 10, but the number in the hall didn’t match.
“It took us to the eighth floor this time,” Arnie said, “and there’s no one here waiting—again.” He pulled his head back inside and punched the 10, none too gently, his irritation emphasizing the wrinkles on his suntanned forehead.
“This has happened every time.” Beth shifted her bulky grocery bag to the other arm and ran her hand through her undisciplined silver-blond curls. “Don’t you think we’d better tell the management? Darn it, I’m getting tired of this.” She bumped her bag with the arm she jerked down to emphasize her words. “Oops.” Arnie caught and stabilized her load before the groceries could fall all over the elevator floor. “Thanks.”
“Sure.” Her husband took Beth’s habitual klutziness in stride.
“This problem has probably been reported,” Arnie said. “We just moved in. We don’t want to start complaining so soon.”
Beth sighed and leaned her small frame back against the wall to relieve the weight of her package. “But this is inconvenient and…and spooky and…”
She glanced through the opening from her new viewpoint just as the doors were about to snap together. With her free hand, she slapped the Open button, and the doors swooshed aside as if this unruly machine was always obedient to her every command. As if.
“Arnie, look. Something’s going on. Half the people in the building are standing in front of a door down there.” She took a step out into the hallway and crooked an index finger at Arnie.
With a skeptical frown, he followed. “Maybe they’re getting ready for an outing or something. We aren’t invited. It’s none of our business.”
“No, it looks like they’re looking at the door. Let’s go see what’s going on. We can explain we’re new to the building and accidentally got off on the wrong floor.”
“Humph. Here, give me your bag. I’m going on up. You can satisfy your curiosity without getting me involved.”
“Deal.”
Beth heard snippets of conversations as she neared the cluster of people. “Something needs to be done.” “I’m having double locks installed.” “One of these times, someone will be home, and then what will happen?”
At the edge of the noisy crowd, Beth sidled up to a young teenaged girl who was holding a phone that emitted a constant series of beeps and chirps. Sending and receiving text messages, Beth decided.  She must be telling the world, or at least her sphere of friends, about whatever was happening.
“What’s going on here?” Beth asked.
The kid, her wavy red hair half over her face, glanced sideways at Beth and then back at her phone. Somehow she kept her thumbs busy punching letters while she answered. “Another lock was picked. That old woman’s apartment got robbed.”


 

ABOUT THE AUTHOR

 
Joyce Ann Brown, the author of the Psycho Cat and the Landlady Mystery series, set in Kansas City, was a librarian, a landlady, and a Realtor before becoming a short story and novel writer. She also has two mischievous cats.
Her actual tenants have never disappeared, murdered, or been murdered. Nor have any of them found a skeleton in the attic. Joyce has never solved a crime. Moose and Chloe, her cats, haven’t sniffed out a mystery, at least not yet.
Joyce spends her days writing (with a few breaks for tennis, walking, and book clubs) so that Beth, the landlady in the series, and Sylvester, the Psycho Cat, can make up for her real-life lack of excitement in a big way.
Author website with Blog: http://www.joyceannbrown.com
Blog: http://retirementchoicescozymystery.wordpress.com
Blog: http://hikingkctrails.wordpress.com
Facebook page: http://www.facebook.com/joyceannbrownauthor
Twitter: http://twitter.com/joyceannbrown1
Goodreads: https://www.goodreads.com/author/show/9858447.Joyce_Ann_Brown


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Closed Casket: A New Hercule Poirot Mystery

The world’s most famous detective returns in this ingenious, stylish, and altogether delicious mystery from the author of the instant bestseller The Monogram Murders (“I was thrilled” — Gillian Flynn).Cover
“What I intend to say to you will come as a shock…”
With these words, Lady Athelinda Playford — one of the world’s most beloved children’s authors — springs a surprise on the lawyer entrusted with her will. As guests arrive for a party at her Irish mansion, Lady Playford has decided to cut off her two children without a penny . . . and leave her vast fortune to someone else: an invalid who has only weeks to live.
Among Lady Playford’s visitors are two strangers: the famous Belgian detective Hercule Poirot, and Inspector Edward Catchpool of Scotland Yard. Neither knows why he has been invited — until Poirot begins to wonder if Lady Playford expects a murder. But why does she seem so determined to provoke a killer? And why — when the crime is committed despite Poirot’s best efforts to stop it — does the identity of the victim make no sense at all?
Addictive, ferociously clever, and packed with clues, wit, and murder, Closed Casket is a triumph from the author whose work is “as tricky as anything written by Agatha Christie” (Alexander McCall Smith, The New York Times Book Review).


About the Author

Sophie Hannah is an internationally bestselling writer of psychological crime fiction, published in 32 languages and 51 territories.  In 2014, with the blessing of Agatha Christie’s family and estate, Sophie published a new Hercule Poirot novel, The Monogram Murders, which was a bestseller in more than fifteen countries.  In September 2016, her second Poirot novel, Closed Casket, will be published.
In 2013, Sophie’s novel The Carrier won the Crime Thriller of the Year Award at the Specsavers National Book Awards.  Two of her crime novels, The Point of Rescue andThe Other Half Lives, have been adapted for television and appeared on ITV1 under the series title Case Sensitive in 2011 and 2012.
Sophie has also published two short story collections and five collections of poetry – the fifth of which, Pessimism for Beginners, was shortlisted for the 2007 T S Eliot Award. Her poetry is studied at GCSE, A-level and degree level across the UK. From 1997 to 1999 she was Fellow Commoner in Creative Arts at Trinity College, Cambridge, and between 1999 and 2001 she was a fellow of Wolfson College, Oxford. She is forty-four and lives with her husband, children and dog in Cambridge, where she is a Fellow Commoner at Lucy Cavendish College.
Sophie Hannah
Author Links
Web – http://www.sophiehannah.com/
Twitter – https://twitter.com/sophiehannahCB1
Facebook – https://www.facebook.com/sophiehannahauthor/
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Interview and #giveaway: Lynn Cahoon, author of A Story to Kill

>>>Enter to win a print copy of A Story to Kill<<<

A new series from the author of the Tourist Trap Mysteries!

Former English professor Cat Latimer is back in Colorado, hosting writers’ retreats in the big blue Victorian she’s inherited, much to her surprise, from none other than her carousing ex-husband! Now it’s an authors’ getaway—but Cat won’t let anyone get away with murder…
The bed-and-breakfast is open for business, and bestselling author Tom Cook is among its first guests. Cat doesn’t know why he came all the way from New York, but she’s glad to have him among the quirkier—and far less famous—attendees.
Cat’s high school sweetheart Seth, who’s fixing up the weathered home, brings on mixed emotions for Cat…some of them a little overpowering. But it’s her uncle, the local police chief, whom she’ll call for help when there’s a surprise ending for Tom Cook in his cozy guest room. Will a killer have the last word on the new life Cat has barely begun?


Q: Aloha Lynn, and welcome back to Island Confidential! Can you tell us a little bit about your protagonist, Cat? 
A:  Cat Latimer thought she had the dream life. Both she and her new husband were professors at the local college where she’d graduated. They’d bought an old Victorian to restore. And she was finally taking the time to write a book. Then she’d found him kissing one of his students.
Divorced, she landed in California teaching and sold her young adult paranormal novel.  When the letter came from Michael’s attorney, she’d almost not opened it.
Now, she’s back in Aspen Hills, Colorado, running a writer’s retreat in the Victorian her ex-husband left her in the will. But she’s finding things aren’t always what they seem.
Q: How much of you is in Cat Latimer?  How would you feel about her if you met her in real life?
A:  I would love to meet Cat in real life. She’s down to earth and thoughtful about this crazy journey writers take when deciding to share their stories with the world. As far as how much of me is in the character? I’m not quite sure yet. Every character has a touch of the author. Cat and I love food. We both struggle with the blinking cursor. And we love OLD houses. My husband just shakes his head at some of the old houses I say are beautiful. But he’s looking at them with a construction eye. I see the house it was or could be again.
Q: Do your characters change and evolve throughout consecutive books in the series?
A:  Definitely. Although it’s early in the series for Cat Latimer, I already see changes in the way she deals with her own insecurities.  Like all of us, she does the best thing she can do at the time. And hopes to be a better person tomorrow. (Or in the next book.)
Q: Have you ever thought of killing someone that you know in real life–on the pages of a murder mystery, I mean? 
A:  Can I take the fifth on this one?  LOL Seriously, I may think about killing someone on the pages of my books, but the truly evil people I don’t want to give page time. Or any more attention than they’ve already received. I do look at objects though (like the supervisor award at my day job) and think about what a great weapon they’d make.
Q: How realistic is your setting? Do you take liberties, or are you true to life?
A:  I write fictional small towns. Now, they feel like the real places they are modeled after but there is no Aspen Hills in Colorado. At least not with Covington College as the primary business.  I can point to where the town would be on a map though and I keep Denver in mind when I’m writing distances.
Also, I tend to mix up places and put them together in a better way that works for the story. So in my bull rider series, the small rodeo town is real, but had a different name and is modeled after another mountain town along with a small hot springs resort I found miles away from either town. Shawnee is better for the mixing.
Q: When the movie or TV series is made, who plays the major parts?
A:  I could see a younger Sandra Bullock type playing Cat, Selena Gomez could play Shauna, and Seth? The guy who plays on NCIS –New Orleans- Lucas Black. I love his smile.
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Q: What’s the worst and best advice you’ve heard or received as an author?
A:  Best advice – there’s always a lake monster. Or make sure your story had conflict.  Worst advice – You have to follow the rules. When you’re writing, you should ignore the rules. When you’re editing, bring them back but analyze what one’s you’re going to listen to.
 
 


 

ABOUT THE AUTHOR

Lynn Cahoon is the author of the NYT and USA Today bestselling Tourist Trap cozy mystery series. Guidebook to Murder, book 1 of the series won the Reader’s Crown for Mystery Fiction in 2015. She’s also the author of the soon to be released, Cat Latimer series, with the first book, A STORY TO KILL, releasing in mass market paperback September 2016.She lives in a small town like the ones she loves to write about with her husband and two fur babies. Sign up for her newsletter at www.lynncahoon.com

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How I started writing my first mystery: Guest post and #Giveaway on The Pulp and Mystery Shelf

One day back in 2011, I was exercising on the elliptical machine and reading a popular cozy mystery. As I pedaled, I found myself mentally editing the book: “Don’t show everyone laughing and laughing; either the line was funny or it wasn’t.” “You’re spending way too much time on the cat.” Finally I realized I should just go write my own book.
Read more: BLOG TOUR – The Black Thumb – The Pulp and Mystery Shelf


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